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- <text id=89TT0676>
- <title>
- Mar. 13, 1989: Tough Love
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Mar. 13, 1989 Between Two Worlds:Middle-Class Blacks
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 82
- Tough Love
-
- </hdr><body>
- <qt> <l>LEAN ON ME</l>
- <l>Directed by John G. Avildsen</l>
- <l>Screenplay by Michael Schiffer</l>
- </qt>
- <p> The belief that tough guys are really decent guys at heart
- may be, as Norman Mailer once remarked, "one of the sweetest
- thoughts in all the world." And a necessary one. For, as the
- novelist also observed, "there's nothing more depressing than
- finding a guy as tough as nails and as mean as dirt."
- </p>
- <p> Since John Avildsen, who directed Rocky and The Karate Kid,
- is obviously not attracted to depressing subjects, you know up
- front that Lean on Me will lean heavily on Mailer's theorem in
- telling the Joe Clark story. The estimable Morgan Freeman plays
- the man who became the last-hope principal of crime-ridden,
- drug-soaked, graffiti-infested Eastside High in Paterson, N.J.
- </p>
- <p> Clark gained national attention -- including a TIME cover
- -- by bullying students and faculty into a state of moral grace
- and academic excellence. His well-publicized symbols of rule
- were a bullhorn and a baseball bat. His lessons included
- expelling 300 of the worst troublemakers en masse, chaining the
- school's doors to bar drug dealers and -- whooping audience
- delight here -- inveighing colorfully against laziness,
- incompetence and any politician or community leader who
- questioned his ways. But underneath all that, as the movie
- points out, were sweetness and caring: Clark redeeming a crack
- addict (Jermaine Hopkins), mending a mother-daughter conflict,
- nursing a comic obsession with getting the kids to sing the
- school song with gusto.
- </p>
- <p> The movie finds nothing ambiguous in this tale. No student
- rebels, reform is achieved at miracle speed, all opposition is
- seen as opportunistic. In short, complexity is sacrificed to
- fast-food inspirationalism. After the cheers die and the tears
- dry comes the realization that Lean on Me is serving up empty
- emotional calories. They don't leave you sick, just hungry for
- an honest meal.
- </p>
-
- </body></article>
- </text>
-
-